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Blackmagic Design URSA 4.6K Digital Cinema Camera (Canon EF Mount)

Blackmagic Design URSA 4.6K Digital Cinema Camera (Canon EF Mount)

Giá bán (chưa VAT): 190.676.000

Thương hiệu: Blackmagic Design

Bảo hành: 12 tháng

Vận chuyển: Miễn phí nội thành (15km từ Đăng Di)

Thông tin nổi bật

  • Size: 25.34 x 14.25mm (Super35)
  • Lens Mount: Active Canon EF Mount
  • Effective Resolution: Not specified by manufacturer
  • Dynamic Range: 15 stops
  • Shooting Resolutions: 4608 x 2592
  • 4096 x 2304 (4K 16:9)
  • 4608 x 1920 (4K 2.4:1)
  • 3840 x 2160 (Ultra HD)
  • 3072 x 2560 (3K Anamorphic)
  • 2048 x 1152 (2K 16:9)
  • 1920 x 1080
  • Supported Frame Rates: Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported 
  • Note: Maximum sensor frame rate dependent on resolution and codec selected

The URSA 4.6K Digital Cinema Camera with active EF Mount from Blackmagic Design features a form factor that is designed to make it flexible enough to use on productions of all sizes. From a single operator all the way up to a full camera crew. At the heart of the imaging system, URSA features a 3840 x 2160 resolution, global shutter CMOS sensor with 12 stops of dynamic range. The camera records and outputs in the 2160p format, a 16:9 standard with precisely four times the resolution of 1080p, often referred to as UltraHD.

Internally, URSA can record in the two formats. The first is 12-bit CinemaDNG RAW, a losslessly compressed RAW codec designed to give you the greatest latitude for image manipulation in post production. The second is Apple ProRes 422 (HQ), a debayered codec for easier playback and editing in a wide range of video editing applications. Additionally, ProRes also requires less storage space for extended recording times. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing you to hot swap media for continuous, uninterrupted recording.

URSA features a 10.1", 1080p resolution flip-out LCD screen so that you won't necessarily need an on-camera monitor. Additionally, there are two 5" capacitive touchscreens, one on either side of the body. These allow you to access the menu system and can display data such as timecode and audio waveforms.

So you can edit and color correct your footage, especially footage shot in the CinemaDNG RAW format, URSA includes DaVinci Resolve software dongle for OS X and Windows.

SENSOR
Size 25.34 x 14.25mm (Super35)
Lens Mount Active Canon EF Mount
Effective Resolution Not specified by manufacturer
Dynamic Range 15 stops
Shooting Resolutions 4608 x 2592
4096 x 2304 (4K 16:9)
4608 x 1920 (4K 2.4:1)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
1920 x 1080
Supported Frame Rates Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported 
Note: Maximum sensor frame rate dependent on resolution and codec selected
DISPLAY
Dimensions 1 x 10.1" diagonal
2 x 5" diagonal
Screen Type 10.1": TFT-LCD
5": Integrated LCD capacitive touchscreen
Resolution 10.1": 1920 x 1080
5": 800 x 480
RECORDING
Media Card Slots 2 x CFast 2.0
Recording Formats Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152
Apple ProRes 3840 x 2160 and 1920 x 1080 with either film or video dynamic range
Data Rates 4608 x 2592
CinemaDNG RAW 3:1 - 180 MB/s
CinemaDNG RAW 4:1 - 135 MB/s
3840 x 2160
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Storage rates based on 30 frames per second
Metadata Support Automatic camera data and user data such as shot number, filenames, and keywords
CONNECTIONS
Output 1 x 12G-SDI -- 10-bit 4:2:2
1 x 3G-SDI -- down-converted signal for monitoring
Input 1 x 12G-SDI
Reference 1 x Reference input
Timecode 1 x Timecode input
1 x Timecode output
Analog Audio Inputs 2 x XLR -- selected mic/line level and +48 V phantom power
Analog Audio Output 1 x 1/4" TRS -- for headphone monitoring
SDI Audio Output 2-channel via SDI output
Remote Control 1 x LANC on 2.5 mm sub-mini -- controls record START/STOP, iris, and focus
USB 1 x USB 2.0 mini type B for software updates
Supported Standards SDI Compliance: SMPTE 292M
SDI Audio Sampling: 48 kHz and 24-bit
GENERAL
Microphone Integrated mono microphone
Speaker Integrated mono microphone
Controls Touch screen menus on 5" screen; push button controls for navigating menus
Mounting Options Multiple 1/4"-20 UNC thread mounting on top of camera and on handle bar; multiple 3/8"-16 UNC thread on top of camera body; rosette on bottom 
Integrated rod mounts compatible with 15mm Light Weight Support (LWS) standard
System Requirements For DaVinci Resolve: Windows 7 or later or OS X 10.8 or later
Note: See Blackmagic website for detailed system requirements and configuration guides.
Power Connectors 1 x 4-pin XLR input for external power supply or battery
1 x 12 VDC output on 4-pin XLR to power accessories
Battery Plate Support Mounting holes for V-mount and Gold Mount battery plates
Operating Temperature 32 to 104°F (0 to 40°C)
Storage Temperature -4 to 113°F (-20 to 45°C)
Humidity 0 to 90% RH, non-condensing
Dimensions 12.3 x 6.1 x 9.6 (31.2 x 15.5 x 24.4 cm)
Weight 16.52 lb

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